जिस समय न्यूटन के पुर्वज जंगली लोग थे ,उस समय मह्रिषी भाष्कराचार्य ने प्रथ्वी की गुरुत्वाकर्षण शक्ति पर एक पूरा ग्रन्थ रच डाला था

जिस समय न्यूटन के पुर्वज जंगली लोग थे ,उस समय मह्रिषी भाष्कराचार्य ने प्रथ्वी की गुरुत्वाकर्षण शक्ति पर एक पूरा ग्रन्थ रच डाला था. किन्तु आज हमें कितना बड़ा झूंठ पढना पढता है कि गुरुत्वाकर्षण शक्ति कि खोंज न्यूटन ने की ,ये हमारे लिए शर्म की बात है.

भास्कराचार्य सिद्धान्त की बात कहते हैं कि वस्तुओं की शक्ति बड़ी विचित्र है।

मरुच्लो भूरचला स्वभावतो यतो
विचित्रावतवस्तु शक्त्य:।।
- सिद्धांतशिरोमणि गोलाध्याय - भुवनकोश
 

आगे कहते हैं-

आकृष्टिशक्तिश्च मही तया यत् खस्थं
गुरुस्वाभिमुखं स्वशक्तत्या।
आकृष्यते तत्पततीव भाति
समेसमन्तात् क्व पतत्वियं खे।।
- सिद्धांतशिरोमणि गोलाध्याय - भुवनकोश
 
अर्थात् पृथ्वी में आकर्षण शक्ति है। पृथ्वी अपनी आकर्षण शक्ति से भारी पदार्थों को अपनी ओर खींचती है और आकर्षण के कारण वह जमीन पर गिरते हैं। पर जब आकाश में समान ताकत चारों ओर से लगे, तो कोई कैसे गिरे? अर्थात् आकाश में ग्रह निरावलम्ब रहते हैं क्योंकि विविध ग्रहों की गुरुत्व शक्तियाँ संतुलन बनाए रखती हैं।

ऐसे ही अगर यह कहा जाय की विज्ञान के सारे आधारभूत अविष्कार भारत भूमि पर हमारे विशेषज्ञ ऋषि मुनियों द्वारा हुए तो इसमें कोई अतिशयोक्ति नहीं होगी ! सबके प्रमाण उपलब्ध हैं ! आवश्यकता स्वभाषा में विज्ञान की शिक्षा दिए जाने की है !
अगर आप अपनी पोस्ट को अपनी भाषा हिंदी में लिखें तो निश्चय ही आपका प्रभाव और भी बढ़ जायेगा . हिंदी हमारे देश भारत वर्ष की राष्ट्र भाषा है .....प्रयोग कीजिये ...अच्छा लगता है ..इसके प्रयोग से हमारा मान सम्मान और भी बढ़ जाता है .........

The most deadliest ancient Indian weapons !

Hello friends, today I am sharing a list of the most deadliest weapons of ancient India, authority to use any of these weapons can be gained by doing tapasya of the presiding deity. Let me know if any correction is needed in the list of weapons or any other weapon can be added.

Aindra astra:

 Presiding Deity: Indra, the god of weather
 Weapon's Effect: Would bring about a shower of arrows from the sky.

Agneya astra: 

Presiding Deity: Agni, the god of fire
 Weapon's Effect: The weapon discharged would emit flames inextinguishable through normal means.

Varuna astra:

 Presiding Deity: Varuna, the god of water
 Weapon's Effect: The weapon discharged would release torrential volumes of water. This weapon is commonly mentioned as used to counter the Agneyastra.

Naga astra:

 Presiding Deity: The Nagas
 Weapon's Effect: The weapon would have an unerring aim and take on the form of a snake, proving deadly upon impact.

Naga paasha:

 Presiding Deity: The Nagas
 Weapon's Effect: Upon impact, this weapon would bind the target in coils of living venomous snakes. In the Ramayana, it was used against Lord Rama and Lakshmana by Indrajit.

Vayu astra:

 Presiding Deity: Vayu, the god of wind
 Weapon's Effect: Bring about a gale capable of lifting armies off the ground.

Surya astra:

 Presiding Deity: Surya, the sun god
 Weapon's Effect: Create a dazzling light that would dispel any darkness about.

Vajra astra:

 Presiding Deity: Indra
 Weapon's Effect: Target would be struck with bolts of lightning (vajra referring to Indra's thunderbolt).

Mohini astra:

 Presiding Deity: Mohini, Visnu avatar
 Weapon's Effect: Dispel any form of maya or sorcery in the vicinity.

Twashtar astra:

 Presiding Deity: Twashtri, the heavenly builder
 Weapon's Effect: When used against a group of opponents (such as an army), would cause them to mistake each other for enemies and fight each other.

Sammohana/ Pramohana astra:

 Presiding Deity: ?
 Weapon's Effect: Would cause entire hosts/armies to collapse in a trance.

Parvata astra:

 Presiding Deity: ?
 Weapon's Effect: Would cause a Parvata/mountain to fall on the target from the skies.

Brahmaastra:

 Presiding Deity: Brahma, the Creator
 Weapon's Effect: Would destroy entire hosts at once. Could also counter most other astras.

Brahmasirsha astra:

 Presiding Deity: Brahma, the Creator
 Weapon's Effect: Capable of killing devas. Was used by Ashwatthama on Parikshit.

Narayana astra:

 Presiding Deity: Visnu, the Preserver
 Weapon's Effect: Would create showers of arrows and discs. The astra's power would increase with the resistance offered to it. This weapon had to be obtained from Vishnu directly, and could be used only once.

Vaishnava astra:

 Presiding Deity: Visnu, the Preserver
 Weapon's Effect: Would destroy target completely, irrespective of target's nature. Infallible. This weapon had to be obtained from Vishnu directly.

Pashupata astra:

 Presiding Deity: Shiva, the Destroyer
 Weapon's Effect: Would destroy target completely, irrespective of target's nature. Infallible. This weapon had to be obtained from Shiva directly.

A technique to check whether the picture is original or edited.

 कुछ दिनों से facebook पर fake pictures देख रहा हु...  हमारे internet क्रांतिकारी साथी इन fake pictures को शेयर कर देते है और उसके बाद तो मानो वो पिक्चर आग की तरह फेल जाती है ....  इसमें internet क्रांतिकारी साथीयो की कोई गलती नहीं है, समस्या ये है की आखिर पिक्चर की सत्यता की जाच कैसे की जाये ... 


Here is the Solution -

JPEGsnoop एक portable software है, अर्थात इस software को install करने की जरुरत नहीं है, केवल exe फाइल को रन करके इसका उपयोग किया जा सकता है ....

यदि कोई पिक्चर imaginary है (कैमरा से खिची हुई नहीं है, सॉफ्टवेर के द्वारा पिक्चर को बनाया है ) या कैमरा से खिची हुई पिक्चर में बाद में कुछ एडिट या modify किया है तो इस बात का पता इस सॉफ्टवेर से लगाया जा सकता है...

Steps -

1)  इस सॉफ्टवेर की zip file को  download  kare.   (zip file - 532 KB  and  exe file - 1.3 MB)
2)  zip file को unzip करे और exe file को उसमे से extract करले.

3)  अब exe (software) file को रन करे ...
 4 )  अब file menu में जा कर open पर क्लिक करे एवं  जिस पिक्चर की सत्यता परखनी है उसको browse करले.

5 )  अब उस पिक्चर की पूरी कुंडली खुल जाएगी ... कुंडली technical language में रहेगी इसलिए कष्ट से बचने के लिए सिर्फ मुद्दे की लाइन पढ़िए ... मुद्दे की लाइन को पढने के लिए software ने जो रिपोर्ट show की है उसमे  निचे की तरफ स्क्रोल कीजिये और सबसे आखरी लाइन पर ले जाइये ... 

यदि  "ASSESSMENT: Class 1 - Image is processed/edited"  लिखा हुआ है तो इसका मतलब है की पिक्चर को edit किया गया है.....

और यदि "no compression signatures" लिखा हुआ है तो इसका मतलब है की पिक्चर original है.

Download

Additional Information

For Advance users -

   यह सॉफ्टवेर सिर्फ पिक्चर की सत्यता परखने तक सिमित नहीं है... इसके द्वारा आप उस सॉफ्टवेर / कैमरा का पता भी लगा सकते हो जिसका उपयोग करके पिक्चर को बनाया गया है.... ASSESSMENT  से ऊपर वाली lines में इसका वर्णन है .... 

For Developers -

    आइये जानते है ये सॉफ्टवेर कैसे काम करता है -  जब भी किसी पिक्चर को किसी कैमरा से capture किया जाता है या किसी सॉफ्टवेर के द्वारा ग्राफिक्स develop किया जाता है तो उस कैमरा / सॉफ्टवेर का signature उस पिक्चर के meta -data में include हो जाता है.... 

यह सॉफ्टवेर पिक्चर के meta-data  को read करता है, यदि किसी  फोटो एडिटर सॉफ्टवेर का signature मेटा-डाटा में मिलता है तो रिपोर्ट में आ जाता है की पिक्चर को एडिट किया गया है...

मैं चाहता हु की इस सॉफ्टवेर को हिंदी में या non -technical  language में develop किया जाये और रिपोर्ट को व्यवस्थित (organized ) तरीके से show किया जाये ताकि ज्यादा से ज्यादा लोग इसका सही ढंग से उपयोग कर सके ... So I am gonna do this, interested developers can join me - 

 https://www.facebook.com/hrishabh123

OR  https://www.facebook.com/profile.php?id=100003522016900

OR https://www.facebook.com/chanakya.solutions

 

This is a real story. Must read !

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousands of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist.

Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the top musicians in the world. He played one of the most intricate pieces ever written, with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

This is a real story. Joshua Bell playing incognito in the metro station

was organized by the Washington Post as part of a social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty?

Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?

Innovation by Indian wins Best Product Design!

The Real Grass-roots Innovation by Indian wins Best Product Design.

This winning product was made at a miniscule cost of Rs. 300 and has potential to affect lives of millions of people across the globe. “Load carrier for labor” project aims to improve the working condition of laborers and workers at many places globally like construction site, factories, ports, railway stations, etc.

The objective is to prevent various occupational hazards and demonstrating Product design and ergonomic consideration in welfare of human life.